欧容没有停止高产创作或是陷入灵感枯竭,从1988年开拍第一部短片《全家福》(Photo de famille),到2007年的《天使》(Angel),他几乎每年都有一部或长或短的影片出手。在1998年之前的十年,欧容接受了良好的学院教育,并且热衷于反复的影像实践。通过大量短片不断练手,推出风格自成、精悍有趣的作品,亦出现在一些电影节上。这其中有如《夏日吊带裙》的清新气息,予人印象深刻。
虽然王非在唱,一个个偶像不外如此.可谁都知道,这个世界是不能缺了gay icon的.有电影以来,同性恋导演和gay icon,有多少will and grace的组合,就有多少又美丽又变态的故事在上演.所以眼看着ozon的这道大餐,大多时候我是边看边笑,这死基佬啊,果然还是这么Gay的风格,少gay点你会死吗?
Douglas sirk所谓"把矫柔造作升华成艺术"的风格,几年前被tod haynse(抱歉,很多人名可能会拼错)借尸还魂了一把,立刻被捧上了天.Julianne Moore可怕的假发居然为她得奖无数.<远离天堂>聪明的地方是它还是剔除了可怕的舞台腔,而索德伯格原封不动照搬遥远的黑色电影拍出的<德国好人>被骂的狗血淋头,理由大多是:这和gus van sant一个镜头一个镜头的临摹psycho有什么区别?客气的人则说,这大概是索导的又一次行为艺术....
但常识告诉我,ozon这家伙还没这么斯文,angel的故事不淋点狗血,可不是他大人的本色.IMDB上一篇可爱的文章说,An utterly melodramatic present-day "Gone with the wind", 倒是有点一针见血.男主角有几分神似卫西礼不说,那位很有喜感的姨妈,也酷似那位白蝶姨妈.只不过,我们的angel,就是彻头彻尾的bitch一个,比思加利更bitch.ozon的gay icon不会仅仅是亨利詹母斯小说里那些受尽男人骗的女人,也不仅是法斯兵德的那些怨气冲天的女人,更不会是一生讨人厌的松子,而是bitch,a total bitch~~~~~自私冷漠虚荣只会在镜头前频频更换艳丽华服遇到帅哥立刻花吃的如同帅哥面前的ozon的摄影机(每当出现帅哥特写我仿佛听到ozon在摄影机背后轻呼,look,camera loves you.....)一般的妖女!
http://imdb/title/tt0783767/usercomments first, go read some rags-to-riches 'women's fiction' sagas of the type popular in the 60s and 70s (it's better if you've read them in childhood, when it's possible to take them with the utter seriousness with which they take themselves, but not everyone has that advantage). then go watch some sirk & minnelli & some of howard keel's fine 50s musicals. then go read some reviews for the source novel to see what elizabeth taylor was actually on about (clue: it's an affectionate take on populist romances, with a fair leavening of satire). *then* watch the film.
one of the great joys of 'Angel' is watching the way ozon conveys all this by the dynamics between the characters and their respective acting styles. and also by the costumes. oh, the fabulous costumes. is that a pheasant on angel's head at the end there? on second thoughts, it's probably a peacock.